- Academics
- Admissions & Enrollment Services
- Research
- Academic & Creative Spaces
- Strategic Partnerships
- Our Impact
- Student Affairs
- Campus & Community
This is a major course for the Summer Art and Design Program 2023. This course cannot be taken separately.
In this course, participants will be invited to unravel the exciting world of Kinetic Imaging—a dynamic fusion of art and motion. As Kinetic Imaging is a new discipline introduced at VCUarts Qatar starting in Fall 2024, this program will embark on a creative adventure, delving into various aspects of kinetic art, creative coding and moving images. Participants will be provided with a solid foundation, combining theoretical insights with hands-on projects that encourage experimentation and innovation.
Classes 1 & 2: Introduction to Kinetic Imaging
Classes 3 & 4: Moving images : Video + Gifs
Classes 5 & 6: Konnectivity
Classes 7 & 8: Intro to Creative Coding
Classes 9 & 10: Final Project and Presentation
Please note: Do not purchase materials until VCUQatar has sent final course confirmation.
Participants are encouraged to have the following materials:
Start: Sun, 14 Jul, 2023
End: Thu, 25 Jul, 2023
Lessons: 10
Days: Sunday through Thursday
Time: 10 am to 1 pm
Location: VCUarts Qatar Campus
Reham Mohamed (b.1995)
Multidisciplinary Designer, Artist, and Educator from Sudan based in Doha. Reham holds a Masters of Fine Arts–MFA in Printmedia from The School of the Art Institute of Chicago, a Bachelors of Fine Arts–BFA in Graphic Design from Virginia Commonwealth University School of the Arts in Qatar. Reham engages with the ambiguity of the defined, labeled, and provable existence of the self in relation to the existence of physical and hypothetical matter, corresponding to her fluid personal in-between state. To acknowledge the open-ended generative process of creation and existence, she creates remixed forms and scenes by composing visual graphics of: collected objects, written texts, typographical letterings, captured images, mundane thoughts, played sounds, reconnected histories, and documented archives. Through a speculative process Reham explores betweenness as a wandering space of the infinite everything, through infinite possibilities of making, learning and unlearning. Using methods of layering, overlaying, and reduction she toggle these scenes between recognition and obscurity to create reconfigured visuals. Printed matter, editioned objects, sculptural forms, and digital play is how her work exists. Rehams’ work has been exhibited locally and internationally, including solo and collaborative projects, Her collaborative print work has been shown in artist book fairs in New York and Los Angeles and is included in several international artist book collections. Rehams’ current practice explores betweenness as a wandering space of the infinite everything,